An example of paco Dècina's solo entitled Infini draws sumptuous interlacings. Muscled, sculptural (thanks to the choreographer's sporting past), but incredibly graceful, his arms lay down the gestures like a prayer (...) Paco Dècina has femininity at his fingertips to the point of embodying at times a kind of deity half man, half woman. He turns around, tenderly rubbing his thumbs against his index fingers. Imperceptible froufrou that resonates for anyone who wants to hear it ...
Infini is a tribute to Christian Ferry-Tschaeglé, who died in February 1996. As a companion of Dècina's artistic research for ten years, the deceased had accompanied the development of contemporary dance with a rare intelligence and collaborated amicably on various occasions with the biennial limougeaude. " This tribute, says Decina, is a work that was born in silence: there was only the word of music and that of the heart. The title appeared as if it wanted to preserve a last mystery, and without limits, as if to have the maximum space to offer. It is for me the opportunity to breathe a few more words and for the public, the opportunity to meet his eyes..."
"There are programmers who mark their era. Disappeared in the greatest silence, or almost, the eye of Christian Ferry-Tschaeglé is missing. Not only his eye, but also the way he had to accompany without fail the artists he believed in.
Christian Ferry-Tschaeglé, a strong defender of dance in its most daring forms, has accompanied many choreographers and helped both broadcasting and creating. As part of his choreographic residency at the White-Mesnil Cultural Forum, Paco Dècina is hosting three evenings that bring together most of those who have worked with Christian Ferry: Catherine Diverrès and Bernardo Montet, Caterina Sagna, Francesca Lattuada ...